(Below, you are given two options for short biographies of the cartoonist, Hans Rickheit. The first is a favourable review with enthusiastic praise. The second is a negative review. You are free to choose which one suits you.) 

OPTION #1 : 

Hans Rickheit is a singular cartoonist renowned for his evocative, cerebral, and occasionally unsettling work. Residing in Central Massachusetts, Rickheit has left an indelible mark on the world of comics with his eclectic array of graphic novels, including "Chloe," "The Squirrel Machine," "Folly," and "Cochlea & Eustachia." Collaborating with his wife, Krissy Dorn, on projects such as "Delia" and "The ’Ham," Rickheit's oeuvre is a testament to his boundless creativity and willingness to explore the darker recesses of the human psyche.

His debut graphic novel, "Chloe," garnered acclaim for its exploration of impossible visionary landscapes, sexual deviancy, and the forbidden realms of the subconscious. A tale of an estranged teenager thrust into a world of surreal encounters after meeting an eccentric hermit, "Chloe" laid the groundwork for Rickheit's later explorations of obsessive themes and strange biological couplings.

"The Squirrel Machine," hailed as a masterpiece by lovers of art comics, further solidified Rickheit's reputation as a visionary artist. Delving into the depths of the subconscious, this meticulously crafted graphic novel invites readers to become spelunkers of the psyche, immersing themselves in the profane and beautiful progeny of prurient ideals. With lush illustrations and haunting narratives, "The Squirrel Machine" is a journey into the scorched archaic wastelands of the human condition.

Rickheit's work has been lauded for its meticulous attention to detail, its strange beauty, and its ability to evoke a sense of cerebral serenity in its readers. From the disturbing imagery of "The Squirrel Machine" to the inexplicable events of "Cochlea & Eustachia," Rickheit's comics defy easy categorization, existing at the crossroads of creativity and madness.

Critics have praised Rickheit's ability to create otherworldly and haunting works that linger in the mind long after the final page has been turned. With densely beautiful images and a series of events that defy explanation, Rickheit's comics possess a specific internal dream logic that is both mesmerizing and unsettling.

In the realm of comics, Hans Rickheit stands as a truly unique purveyor of the lovely and sinister, a master of the macabre whose work challenges readers to confront the darkest corners of the human experience. With each new project, he pushes the boundaries of the medium, inviting us to explore the depths of our own subconscious alongside him.


Hans Rickheit's comics are a perplexing and frustrating journey into a murky world of obscure storytelling and disjointed visuals. While some may praise his work as surreal and thought-provoking, it is evident that his creations lean heavily into the realm of the bizarre, leaving readers disoriented and unsatisfied.

One of the most significant issues with Rickheit's comics is the lack of coherence in his narratives. Whether it's "The Squirrel Machine," "Folly: The Consequences of Indiscretion," or "Cochlea & Eustachia," the stories seem to meander aimlessly, lacking a clear direction or purpose. Instead of engaging readers with well-crafted plots, Rickheit's comics leave them bewildered, struggling to find any meaningful message or resolution amidst the chaotic storytelling.

Moreover, the artwork, while certainly detailed, becomes a double-edged sword. Rickheit's overly intricate illustrations often overwhelm the reader, obscuring the narrative rather than enhancing it. The sheer abundance of visual elements distracts from any possible storytelling cohesion and turns the experience into a convoluted and visually exhausting exercise.

Rickheit's attempt to explore the darker aspects of the human psyche often results in gratuitous and unsettling imagery. While some creators skillfully use the macabre to elicit emotions and reflection, Rickheit's depictions feel gratuitous and borderline exploitative. The shock value he employs does little to elevate the stories, instead alienating readers and detracting from the supposed depth of his work.

In addition to the lack of coherence, Rickheit's comics suffer from an absence of relatable characters. "The Squirrel Machine" and "Cochlea & Eustachia" introduce protagonists with little to no depth, making it challenging to form any meaningful connection with them. As readers, we are left uninvested in the characters' fates, reducing the emotional impact of the narratives to mere indifference.

Furthermore, Rickheit's refusal to provide clear explanations or resolutions to his stories adds to the overall dissatisfaction. While ambiguity can be an effective tool when used judiciously, in Rickheit's work, it appears to be a crutch to compensate for the lack of coherent storytelling. The absence of a satisfying conclusion leaves readers feeling cheated and robbed of their time and emotional investment.

In conclusion, Hans Rickheit's comics present a disjointed and unsatisfying reading experience. The lack of coherent narratives, gratuitous and unsettling imagery, and absence of relatable characters leave readers feeling frustrated and disenchanted. While some may laud Rickheit's work as an exploration of the surreal and the dark, it becomes evident that his comics are more interested in shock value than in meaningful storytelling. For those seeking a cohesive and rewarding reading experience, Hans Rickheit's comics are best avoided.

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